Here we have two choices for you, with the Fishman Loudbox Mini Charge an amp you charge at the wall and the Roland AC-33 taking a stack of AA batteries. If you intend on busking, you’ll need a battery-powered amp. There are other practical concerns that the acoustic guitarist needs to bear in mind. Others will have phase switches, on/off buttons that cut some of the low-end frequencies that can cause mischief. Sometimes it is the room that is the problem, but finding that troublesome frequency and taking it out will make your performances all the more enjoyable.Īmps such as the Marshall AS50D have a notch filter and a frequency sweep control to really give you control over it. Feedback can be the bane of the acoustic player’s life, and it strikes when you least expect it. Most good acoustic electric preamps and acoustic guitar amplifiers offer some sort of prophylactic measure to stop feedback, such as a phase, notch filter and sweep. If you are a card-carrying member of the next-gen acoustic players who are shepherds of an ever-growing pedalboard, an effects loop might be essential. Many acoustic amps will have onboard effects – typically reverb, which adds a little space to your tone and brightens up a dead room, but also delay and chorus. More commonly it will because one will have a 1/4” instrument input jack and a XLR input for attaching a vocal mic or – if it has phantom power – a condenser mic for your acoustic guitar. If you’ve got a smaller-bodied orchestra or parlour model then you could always dial in a little extra in the lower-mids to add depth to strummed chords.Īnother fundamental difference between the electric guitar amp and the acoustic guitar amp is that the two-channel designs of the acoustic amp aren’t for having one clean channel and the other with a gain stage on it.
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